![gotan project tango lunatico gotan project tango lunatico](https://www.stretta-music.com/media/images/620/611620_detail-01.jpg)
Makaroff added milonga (an older variation of the tango) and various folkloric guitar styles to Cohen Solal's and Muller's beefed-up tango concoctions. In a way, the format of the first album was straightforward: construct a dubbed- up cover of Piazzolla's tango classic "Vuelvo al Sur", add film-noir references with a cheeky lounge version of Gato Barbieri's theme from Last Tango in Paris, and gain a couple of alt-rock cred points with a reworking of Frank Zappa's Chunga's Revenge. Even Argentina embraced this reworking of the tango sound, coining the phrase "electro-tango". They released the album La Revancha Del Tango in 2001 and, much to their surprise, it was an international success.
![gotan project tango lunatico gotan project tango lunatico](https://i.ytimg.com/vi/1VBSMoTqdcY/maxresdefault.jpg)
Not only because of guys like Astor Piazzolla, but going much further back than that." We tried to avoid that, even though, musically, we immediately saw that Argentinian tango isn't corny at all. Even the dancers and bandoneons (the tango accordion) had taken on a corny image. "In Argentina, the visual side of it had become cliched.
![gotan project tango lunatico gotan project tango lunatico](https://i.ytimg.com/vi/Nns84WlNAXo/hqdefault.jpg)
They turned this outmoded perception on its head by adding beats and visuals to coincide with the highly charged, sensual nature of tango dance steps. People thought it was music for old people - boring and rather corny." "But with Gotan Project there was no flexibility. "We were doing Brazilian hybrids and other bits and pieces where there was more opportunity to expand," says Muller.
#Gotan project tango lunatico update#
Of these projects, the one they thought had least promise was Gotan Project: a collaboration with Argentine guitarist Eduardo Makaroff that attempted to update the tango sound. The unifying factor was the duo's love of Latin music and left-field electronica. The French producer Philippe Cohen Solal started out as a music consultant for European film directors such as Lars von Trier and Bertrand Tavernier in the 90s.Ī well-known figure on the Swiss electro scene, Muller moved to Paris where he met Cohen Solal (in 1995) and formed the dance imprint Ya Basta!Ī number of side projects emerged such as Boyz from Brazil, Stereo Action Unlimited and Fruit of the Loop. Muller, the Swiss producer, the album is named because "the mood changes from one track to another in a slightly deranged way, and because great horses belong to the tango code". The horse is Lunatico and, according to Christophe H. Gotan Project's new album is named after the beloved racehorse of the Argentine cancion (a form of tango) maestro Carlos Gardel.